Tag Archives: Grant Heslov

The CIA and Hollywood episode 11 The Men Who Stare at Goats

Jay Dyer joins us for this episode where we analyse the 2009 comedy The Men Who Stare at Goats, loosely based on Jon Ronson’s book of the same name. It tells the story of a journalist who is inducted into the world of psychic soldiers during the Iraq war. The movie goes on to explain some of the history behind the First Earth Battalion, an experimental Pentagon unit devoted to developing a new generation of super soldier informed by the hippy and New Age movements. We examine what the film leaves out, especially in the form of MKULTRA and similar CIA projects and experiments with similar aims, and ask whether the purpose was not to ask ‘How could love and peace help win wars?’ but to weaponise New Age philosophy and the New Age movement.

The Men Who Stare at Goats is the final movie in the George Clooney/Grant Heslov series before they took the full plunge and made Argo with the help of the CIA. We look at whether Goats – Heslov’s directorial debut – was the final step in their long-term overture to the CIA. The fact that Goats reduces the CIA’s involvement in such projects to a single scene, and was distributed by none other than Overture Films are strong hints towards this. We also map out the evidence and implications of state sponsorship of the entire Goats project, from Ronson’s original book and documentary series through to the Hollywood version. The use of technical advisors who were part of these Pentagon units back in the 70s/80s and who were ‘reactivated’ to help fight the War on Terror implies that at least the DOD, if not the CIA, were in favour of this film. We round off by pondering the plausibility of the remote viewing phenomenon.

Download The CIA and Hollywood ep 11

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Show Notes:

The Men Who Stare at Goats (book)

Crazy Rulers of the World (documentary series)

The Men Who Stare at Goats (film)

First Earth Battalion Field Manual

Jim Channon’s website (archived)

Goats Declassified: The real men of the First Earth Battalion

Project Hollywood

Pearse Redmond Patreon

Tom Secker Patreon

The CIA and Hollywood episode 9 Good Night and Good Luck

We welcome Ed Opperman to the series and discuss the 2005 docudrama Good Night, and Good Luck which retells the story of the 1954 confrontation between senator Joe McCarthy and television journalist Ed Murrow of CBS. McCarthy was pursuing Communists within the State Department and other government agencies and innocent people were getting caught in the crossfire, creating a climate of suspicion, mistrust and hostility. Murrow used his prime time series See It Now to attack McCarthy and the culture and mentality of McCarthyism, showing the senator to be a hypocrite who persecuted his targets.

This is the story that is told in Good Night, and Good Luck, a film born out of the creative relationship between George Clooney and Grant Heslov. In this episode we take a sideways look at the historical events and ask why Clooney and Heslov chose to lionise not just Murrow but the whole See it Now/CBS crew. We try to persuade Ed of an alternative interpretation of events, with Murrow not quite being the heroic counter-establishment figure he is in the film and CBS being a rotten media organisation with deep ties to the CIA. We then explore how almost everyone involved in Good Night, and Good Luck had either already made a film with CIA assistance, or went on to do so. We round off talking about Clooney’s bizarre Las Vegas connection, E Michael Burke, George Steinbrenner and (inevitably) Donald Trump.

Download The CIA and Hollywood ep 9

Vimeo Version

Show Notes:

Good Night, and Good Luck

Making of Featurette

Edward R. Murrow: “A Report on Senator Joseph R. McCarthy”

Good Night, and Good Luck and Bad History (part 1)

Good Night, and Good Luck and Bad History (part 2)

The CIA and the Media (Carl Bernstein)

ClandesTime 034 – The Hollywood Ten

When the CIA used CBS to stop a TV Show from Being Made

E Michael Burke

The CIA and Hollywood episode 7 Argo

Pearse and Tom round off season 1 looking at the 2012 Oscar winning historical drama Argo, which is based on a real life exfiltration operation during the Iranian revolution.  We discuss the CIA’s almost too-obvious involvement in the film, the background of how the story was declassified and turned into a movie including the shadowy figures of producer David Klawans and writer Chris Terrio.  We stick the boot into Ben Affleck and his film, not just for its ‘Reel Bad Arabs’ racism but also its outrageous and possibly intentional historical inaccuracy.  We analyse the weirdest Oscars ceremony ever, where Argo producers Affleck, George Clooney and Grant Heslov won the Best Picture award, before wrapping up by reflecting back on season 1 of this series and briefly looking forward to season 2.

Download The CIA and Hollywood ep. 7

Show Notes:

Argo (full film)

Argo Declassified

The CIA and Hollywood connection – Argo making of

Argo: Inside story

A Classic Case of Deception

How the CIA used a fake sci-fi flick to rescue Americans from Tehran

Jimmy Carter on Argo film

Ben Affleck changes postscript for Ken Taylor

Ben Affleck’s new film ‘Argo’ upsets British diplomats who helped Americans in Iran

New Zealand’s role in Iran crisis tainted in Affleck’s new film

Argo commentary and Q&A with Tony and Jonna Mendez

Ben Affleck Oscar speech

Porkins on ClandesTime 033 True Lies and Reel Bad Arabs

I joined our good friend Tom Secker once again on ClandesTime for a very entertaining and in-depth conversation on the documentary Reel Bad Arabs and the Hollywood blockbuster True Lies.

From ClandesTime:

Pearse Redmond of Porkins Policy Radio joined us again to talk about the  the portrayal of Arabs in Hollywood.  We talk about the documentary Reel Bad Arabs, which details much of the stereotyping of Arabs in popular movies, and also the film True Lies as an example of these trends.  We look at some of the limits in the analysis offered by Reel Bad Arabs, the military involvement in making True Lies, and the careers of the actors who played the two main Arab characters in the film – Art Malik, who seems to specialise in playing terrorists, and Grant Heslov who won an Oscar for producing Argo.

Download ClandesTime episode 033

Show notes available here.

 

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