I was recently on The Afternoon Commute with Chris Kendall and John Adams to discuss my new show, The CIA and Hollywood. We discuss the first season of the show and what to expect for upcoming seasons. We focus on the culture creation aspect of the CIA, and how they are influencing not only societal norms, but influencing our opinions on events and people. Later we move onto a wide variety of topics including: Chase Brandon,George Orwell, 1984, Animal Farm,The Congress for Cultural Freedom, Peter Wright, Spy Catcher, Ben Afleck, George Clooney, Angelina Jolie The Quiet American, Confessions of a Dangerous Mind, Chuck Barris, Operation Mockingbird, CBS, The Social Network, Hill and Knowlton, Wag the Dog, Weaponized Culture,Judd Apatow, Modern Art, Presidential Elections, Shepard Fairey, Paul Begala, K Street, Pro Wrestling, The Clintons, Boston Bombing, Sandy Hook, Reality Television, The OJ Simpson Trial,Duck Dynasty,Libertarianism, Anarchism, The Gold Standard, Ron Paul, the Constitution, John Bush,September 11.
This is a wide ranging and long podcast (nearly three hours) We don’t agree on everything, but it is well worth a listen.
Thomas Sheridan joins us to talk about the 2010 film The Social Network, which tells the story of the origins of facebook. We discuss the class struggle portrayed in the story, the mechanism by which the film could have been influenced by the CIA, the archetypes in the finely-produced melodrama that plays out, the CIA’s silicon valley network which is conspicuous by its absence from the narrative, and the meaning of the movie’s dark and brooding tone. We also get into some unusual areas, including the mystery of the sub sandwich.
Launching in April of this year The CIA and Hollywood is a new series by Pearse Redmond and Tom Secker. The first season will have seven episodes where we will mostly focus on modern films, with guest appearances on five of the shows.
The full list:
Episode 1: The CIA and George Orwell
Pearse and I introduce the series and look at how George Orwell’s two major works – 1984 and Animal Farm – were both adapted into 1950s films by the CIA for propaganda purposes. Using files from MI5, the CIA and the FBI we outline in detail the people involved in the productions and how they fit into a wider picture of what was going on in Hollywood at the time.
In the first guest episode we welcome Guillermo to talk about Robert De Niro’s lengthy connections to the CIA. From Wag the Dog, where he plays a character based on CIA Entertainment Liaison Chase Brandon to the Meet the Parents film franchise which was assisted by Brandon, to his epic rewriting of CIA history in The Good Shepherd, De Niro has for nearly 20 years had some kind of relationship with the Agency.
Episode 3: The CIA and The Recruit – Guest: Aaron Franz
From one screen legend to another, Aaron joins us to discuss The Recruit starring Al Pacino. This film was co-written by Chase Brandon and the character Pacino plays is clearly based on Chase Brandon. This tale of a young man inducted into the secret world of the CIA is a perfect set up for inducting the audience into that same world, though what we find there is simply more layers of manipulation and doublethink.
The film that predicted the entire Edward Snowden story is next on the list, when Adam joins in the discussion. The Gene Hackman character, based on a role he played in the 1970s thriller The Conversation, foreshadows everything about Snowden, including his name and where he grew up, and the film’s depiction of mass surveillance has much the same effect on audiences as Snowden’s ‘revelations’ some 15 years later.
Episode 5: The CIA and The Social Network – Guest: Thomas Sheridan
The only film featured in this series that was not explicitly sponsored by the CIA, but which bears all the hallmarks of CIA involvement. Thomas Sheridan joins us to examine this fictionalised account of the founding of facebook, possibly the world’s greatest ever surveillance tool. We examine Aaron Sorkin’s career and the key information he left out of his screenplay about the early investors in facebook.
Episode 6: The CIA and Charlie Wilson’s War– Guest: Sibel Edmonds
One of Chase Brandon’s final films mythologised one of the most important events in understanding modern history – the Soviet-Afghan War and the CIA’s support of the Mujahideen. Sibel lends us her expert knowledge as we dismantle this piece of CIA unhistory – which is also scripted by Sorkin – and construct a true version in its place.
Episode 7: The CIA and Argo
To round of this season Pearse and I take a look at the Oscar-winning Argo, produced by the unholy trio of Clooney, Heslov and Affleck, all of whom have long-standing ties to the CIA. We examine the film not only as a deliberate mis-telling of real historical events but also as a celebration of the CIA’s very useful relationship with the Hollywood dream factory. We reflect back on what we have learned through doing this first season, and briefly explain what to expect from season two.
Porkins Policy Review 