Aaron Franz joined me this month for the last episode of 2019. This is a shorter show but we cover a lot of ground. Aaron and I discussed our thoughts and opinions on 2019. Aaron also plugged Uncle’s annual New Years Revolution live show. We touched on topics as varied as the Tokyo 2020 Olympics and the anime classic Akira, Elon Musk’s diabolical Cyber Truck, Amazon’s plan for world domination, and what’s in store for the futuristic decade of 2020.
And in spite of my best efforts I stuck with tradition and released this well after we recorded it. Have a happy and safe New Years!
On this episode, we welcome special guest Pearse Redmond from Porkins Policy Review to discuss the new Netflix Original series, Stranger Things.
Comprising one season of eight episodes thus far, the show is one of many recent productions that are made exclusive to on-demand platforms, and has fast become a sentimental sensation among its thirty-something target audience; thanks to its pastiche of 80’s pop culture references and nostalgic plot devices.
We start by establishing the beginnings of the story, where strange events begin to unfold in 1980’s small town America. Set against the backdrop of a secretive Cold War experiment at a local government facility, the series blends real world references to geopolitics and conspiracy culture with a heavy overlay of fantasy, horror, and science fiction – staying true to the aesthetic and screenplay of the classic 80’s sub-genre.
We also explore one of the most interesting aspects of the series, in looking at the target marketing of customised entertainment, where tools like analytics and meta-data seem to be driving the production of on-demand, niche-marketed TV series. Is a merge between Hollywood and Silicon Valley going to be the next big tech revolution?
Finally, we discuss some of the archetypes, roles, and cultural dynamics being presented in the show, and explore the question of how mass culture can influence our perceptions of history, where memories are continuously filtered through an emotional overlay of sentimental entertainment.
Porkins Policy Review 