For this special episode on Porkins Great Game Christoph and I take at look at the recent coup attempt in Turkey. Christoph and I go through the main events of the coup and what went wrong for the coup plotters. We discuss a variety of theories related to the event including: was this staged by Erdgoan, is this due to a Russian realignment, was this a warning form the CIA/NATO? We also touch on the ongoing purge of he Gulen movement with in Turkey. We also discuss how this coup has been interpreted not only by MSM and alt-media but around the world.
For this inaugural episode I am joined by my good friend and frequent collaborator Tom Secker. We begin by discussing the bizarre life and career of the CIA Hollywood liaison Chase Brandon. We then move onto the relationship between entertainment and the security services. We explore the notion that this going beyond mere propaganda, and instead represents a significant distortion of our culture and perception of reality and world events. Tom and I finish off by discussing the recent coup attempt in Turkey and some of our problems with the way the alt-media has covered this event.
We are joined once again by our good friend Robbie Martin to discuss the final part of the film trilogy “A Very Heavy Agenda.” Robbie and I begin by discussing the film series as a whole, and its overarching themes. We then move on to how the neocons operate within the larger deep-state apparatus, touching on how the neocons are able to influence and control the foreign policy agenda through the use of only a handful of experts and policy makers.
Later we explore the role of “hipster propaganda” by looking at the increasingly influential role of Vice Magazine in indoctrinating young people into the neocon mindset. Robbie and I talk about the early days of Vice, and the lasting effect Gavin McInnes has had on the culture and political ideologies the news outlet spreads. We talk about Vice’s bizarre approach to politics: making the president look hip and cool, spreading anti-Russian hatred, and spreading neoliberal and neocon talking points to young people.
Next we move on to the current state of affairs within the neoconservative movement. Robbie and I discuss our views on the neocon influence within the Obama administration. We explore the idea that Obama may have tried to curb some the more psychotic foreign policies decisions put forth by those like Bob Kagan. I relate my pet theory that Obama was attempting to help the CIA by ridding them of some Bush era cronies. We finish off the conversation with a look at the 2016 election. We discuss how the neocons’ racist rhetoric is very much to blame for the rise of Donald Trump, and how Trump is very much an unexpected creation of the neocon agenda, even though he disagrees with them on several keys issues. We also talk about the the latest re-branding efforts which have led the neocons to embrace Hillary Clinton.
After the podcast I answer my first every Patreon subscriber question, and thank everyone who donated this month. I also talk about my new radio show due to start this Tuesday, from 4-6pm EST on American Freedom Radio.
Pearse Redmond of Porkins Policy Review joins the show. We discuss his monthly series Porkins Great Game and the series he does with the UK’s Tom Secker CIA and Hollywood. We talk about the CIA’s involvement in the entertainment industry and deleterious effects it has had on society. Later we talk about Pearse’s research into the OJ Simpson murder trial and the several interviews he conducted with journalist Stephen Singular who wrote the book Legacy of Deception: An Investigation of Mark Fuhrman and Racism in the L.A.P.D.
James Evan Pilato is our latest guest as we dissect the 2009 Disney UFO adventure Race to Witch Mountain. We start off looking at Disney as a corporation – its long standing interest in UFOs and extraterrestrials, the connections to government agencies and their recent takeover of the fantasy genre. We then get into Race to Witch Mountain itself – a strange blend of a kids’ movie, a love letter to the UFO culture and an homage to spy thrillers especially Enemy of the State. Next, we examine the deliberately hyperreal nature of the film and dwell on the effects of a fantasy movie set in the real world with real people. A children’s movie about ‘illegal aliens’ being pursued under the Patriot Act is not Hollywood’s typical output.
Then the conversation moves on to the mysterious CIA involvement in Race to Witch Mountain, which the CIA themselves deny but the director Andy Fickman insists took place. After discussing the CIA Inspector General’s Report on their Engagement with the Entertainment Industry we move on to the question of infiltration of the UFO culture, and the use of UFOlogy to infiltrate alternative cultures more broadly. We round off looking at the effect of films like this on people’s perceptions and expectations of government secrecy, and we each try to answer the question ‘are you a believer?’.
On this episode Christoph and I turn our attention to Kazakhstan and the June 5th mass shooting. We examine the attack itself, breaking down what happened and the governments swift response. We explore the socioeconomic problems facing western Kazakhstan and how this may have played a decisive role is spurring on these attacks. We discuss the recent land protests across the Central Asian nation, and give a historical overview of Aktobe, including the role of western Kazakhstan in propping up the ruling regime.
Next we move on to the recent killing of Taliban leader Mullah Mansoor. Less than a year after his rise to power Mansoor was killed by a US drone strike in yet another blow to the peace process. Christoph and I explain the precedent set by the US in not only targeting the top Taliban leader, but also having the strike take place in the spiritual and operational city of Quetta. We consider Pakistan’s strong condemnation of the US for breaking its commitment to forging a lasting peace between Kabul and the Taliban. We examine Mansoor’s frequent travel to Dubai, Bahrain, and Iran, as well as his Pakistani passport. Christoph explains the reasons behind Mansoor’s frequent travel to Iran. We also touch on the increasing violence in Northern Afghanistan which is slowly getting the attention of the US and Russia.
Lastly, we discuss the recent row between Germany and Turkey over Germany’s parliamentary recognition of the Armenian genocide. We review the litany of harsh remarks from Erdogan and his government against Germany. Christoph gives us his perspective from within Germany as to how this is playing out there. He also discusses the satirical video put out by Jan Bohmermann about Erdogan and how this plays into the tense relationship between Turkey and Germany.
We finish off with our “weird terrorism” segment by looking at several interesting stories: the CIA-Pentagon fight over supporting Al Nusra; the release of Israeli spy Jonathan Pollard, an update on Alparslan Celik.
Christoph and I together announce the start of our Patreon campaign. For anyone interested in supporting the podcast and helping it to expand you can now donate on an episode-by-episode basis through Patreon. To find out more please visit us here.
Adam from Themes and Memes is our guest to talk about the 2015 action comedy American Ultra. We start by trying to define this film, which is an intense mixture of cartoonish ultra violence, CIA covert operations, romance, comedy and horror, looking at the dissociating nature of this blend. The intentions of screenwriter Max Landis and the director Nima Nourizadeh are discussed and we ask whether they were reaching out to the CIA or trying to flatter them by making MKULTRA seem cool to stoners and young people. We go on to look at the prominence of female and often maternal characters in modern spy fiction, particular in CIA-assisted productions and ask what difference this makes to how these films and TV shows portray the CIA as a whole, not just MKULTRA and similar experiments.
We also examined a bizarre weed-based marketing campaign for the film at the 2015 San Diego Comic-Con and ask whether like the Pentagon and NASA, the CIA now sees Comic-Con as a key networking and recruitment opportunity. The conversation rounds of discussing the director Nima Nourizadeh’s father Ali Reza, who bears all the hallmarks of being a CIA asset (complete with mysterious name changes and working for Voice of America). The presence of footage of Langley and the prominent use of the CIA logo suggests that at the least the CIA were aware of American Ultra and approved use of these for the film, so we ask whether they were involved in the making of the film and if so, why.
Jay Dyer joins us for this episode where we analyse the 2009 comedy The Men Who Stare at Goats, loosely based on Jon Ronson’s book of the same name. It tells the story of a journalist who is inducted into the world of psychic soldiers during the Iraq war. The movie goes on to explain some of the history behind the First Earth Battalion, an experimental Pentagon unit devoted to developing a new generation of super soldier informed by the hippy and New Age movements. We examine what the film leaves out, especially in the form of MKULTRA and similar CIA projects and experiments with similar aims, and ask whether the purpose was not to ask ‘How could love and peace help win wars?’ but to weaponise New Age philosophy and the New Age movement.
The Men Who Stare at Goats is the final movie in the George Clooney/Grant Heslov series before they took the full plunge and made Argo with the help of the CIA. We look at whether Goats – Heslov’s directorial debut – was the final step in their long-term overture to the CIA. The fact that Goats reduces the CIA’s involvement in such projects to a single scene, and was distributed by none other than Overture Films are strong hints towards this. We also map out the evidence and implications of state sponsorship of the entire Goats project, from Ronson’s original book and documentary series through to the Hollywood version. The use of technical advisors who were part of these Pentagon units back in the 70s/80s and who were ‘reactivated’ to help fight the War on Terror implies that at least the DOD, if not the CIA, were in favour of this film. We round off by pondering the plausibility of the remote viewing phenomenon.
Tom Secker and I recently sat down to talk with Ed Opperman all about Matt Alford’s new book The Writer With No Hands. The book deals with the bizarre “death” of Hollywood screenwriter Gary Devore and his mysterious links to the CIA. We also talk about the second season of The CIA and Hollywood, and some recent Jeffrey Epstein developments.
Aaron Franz joins us to discuss the 2002 biopic Confessions of a Dangerous Mind, which tells the story of game show producer and host Chuck Barris. Barris claims that while becoming a TV star he was recruited by and worked for the CIA as an assassin, killing a total of 33 people. In this episode we analyse this claim, which has been dismissed by the Agency as a ludicrous fantasy. We examine Barris’ true life history, focusing in on his marriage to Lyn Levy – the daughter of one of the founders of CBS – and his incredibly selfish relationship with their daughter Della. None of this appears in the film so taking this into account we consider whether Barris was a CIA assassin, a psychopathic fabricator or an emotionally warped narcissist (or all of these things rolled into one). If Barris truly was a CIA agent then what was his job? Was he an assassin, or did they employ him to ‘slay the audience’ by developing the prototypes for reality TV?
Confessions of a Dangerous Mind is also notable for being George Clooney’s directorial debut, and a production that languished in development hell for years before he became involved and began pulling strings to ensure the film got made. We consider whether the movie was one of Clooney’s attempts to gain the attention and approval of the CIA, and whether he too thought that Barris’ TV career was the real mission for the Agency. We examine Clooney’s self-appointed role as Chuck’s ‘defence lawyer’, his obsession with goats and why he employed theatrical visual tricks throughout the production. We round off comparing Confessions of a Dangerous Mind to The Recruit, as both films show The Farm (the CIA’s semi-secret agent training facility) and portray the protagonist being inducted and initiated into that covert world.
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